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Surrealism

Where Dalí Meets Disney

In 1945, after a chance encounter with Disney at a cocktail party in Hollywood, Salvador Dalí was invited to collaborate on a short animated film entitled Destino. The project was eventually terminated in its preparatory phase, but a whole array of conceptual paintings (executed by Dalí himself) remained in the Disney archive, and, in 2003, the Walt Disney Company hired a team of French animators to complete the film based on the surviving sketches.  This was the version that toured in a number of highly publicised exhibitions, including the retrospective ‘Dalí and Film’ staged at the Tate in 2007, among other international venues. Read more →

(In)Edible Beauty

We do not begin with a siren singing (that comes later) but with a human passenger in want of his sea-legs.  In the opening scene of Walt Disney’s cartoon version of The Little Mermaid (1989) (amidst a range of nautical-themed pratfalls), the Prince’s comic old retainer balks over the side of a galleon, his face coloured a septic shade of green. Read more →

Of Mice and Brides

The mind which plunges into surrealism relives, with glowing excitement, the best part of its childhood…From childhood memories, and from a few others, there emanates a sentiment of being unintegrated, and then later of having gone astray, which I hold to be the most fertile that exists. (Breton, 2010: 39-40)

Andre Breton, ‘The Manifesto of Surrealism’, 1924 Read more →