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The Still Life

Paintings with Legs

and the world is a white laundry,
where we are boiled and wrung
and dried and ironed,
and smoothed down’(1)

Inger Christensen

When I visit Lotte in her studio, and I look at one of her paintings, I see legs. These L-shapes have been made from cut-wood shapes smeared with ink, pressed against the calico to leave a mark (a sort of wood-cut, a sort of mono-printing). And all I can see is legs. But that seems like a heavy cumbersome word—“legs”—too cumbersome—and I keep the word to myself, until the artist says it—legs. Read more →

Lotte Gertz: New Work

Gertz’s latest series of paintings and prints were made in a studio that occupied the same space as her general living-area and are full of the sense of immediacy that results from an artist’s direct response to ‘close-at-hand’ materials and objects.

Gertz’s sources include those items she ‘stumbles-upon’ again and again in the intimate chaos that surrounds her as she works: a space where ‘living’ encroaches upon ‘making’, where  discarded playthings (a stuffed panda-toy or a wooden Pinocchio-figure) might be found side-by-side with DIY tools, painting and printmaking materials, half-eaten slices of fruit or cheese, still-to-be-drunk cups of tea, and photographs of famous artworks from books and magazines. Read more →